This Second Wave Seattle Grunge Classic Just Turned 30
We all love the Big 4 Seattle grunge bands. But what about the second wave Seattle grunge acts that came next?
I’m speaking specifically of Candlebox. Forgot about those guys, didn’t you? Here’s the wild thing: Candlebox formed in November of 1990. By that time, Nirvana and Soundgarden had already formed and released albums on Sub Pop. Alice In Chains had, months earlier, released their major-label debut Facelift. And while Pearl Jam wouldn’t debut until the following year, Mother Love Bone released their debut in ’90 as well.
So the timeline kinda-sorta lines up. But we don’t talk about Candlebox in the same reverent tones that we do of the other bands I listed above. They’re a Seattle band. And they’re a grunge band. Hell, Dave Krusen–Pearl Jam’s original drummer–even played for them. Twice! I think the issue is twofold: they didn’t get signed right away, and they got signed after the big grunge explosion.
Candlebox spent the early ’90s gigging out all over Seattle, building their audience and their name. The signed to Maverick Records and released their self-titled debut on July 20, 1993. By that time, grunge had spread far beyond Seattle, with grunge-influenced bands from all over the U.S. signing deals with every major label. So Candlebox got second-wave status. Because timing is everything.
This Second Wave Seattle Grunge Classic Just Turned 30
The music scene of the ’90s was a time when authenticity was always in question and “selling out” was always suspected. That’s why a lot of bands that were signed and debut post-1991 were met with mixed reviews by critics. Candlebox was one of those bands. Like Stone Temple Pilots, they were accused of being a cheap knockoff of the Seattle grunge bands that predated them by a year or two.
Looking back now, that’s pretty ridiculous. Candlebox were–and are–a solid, grunge-influenced rock band. They’ve moved 4 million copies of their debut album over the years! So while their dubious timing has kept them off the same pedestal as the Big 4, they shouldn’t be dismissed. Go back to their debut as it turns 30 and find out for yourself. I’ve shared a pair of tracks below.